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Hamlet Storyboard
Storyboard Text
- Is it better to live or to die? That is the question. Is it nobler to suffer through those dreadful things that fate throws at you, or to confront your challenges and put a stop to them?
- To die, to sleep—because that's all dying is—and by sleep, I mean an end to all the heartache and a thousand hurts to which we're vulnerable— that's end to be desired!
- To sleep, to die. To sleep, maybe to dream—Yes, but there's a price. Because the kinds of nightmares you might experience after you've left your mortal body in that slumber of death are enough to make you terrified. That is the thought that drives us to endure life's tribulations for so long.
- Who would bear all the trials and tribulations of time—the oppression of the powerful, the taunts of pompous men, the pangs of unrequited love, the delay of justice, the disobedience of people in office, and the general abuse of good people by bad—if you could just settle all your debts with nothing more than an unsheathed dagger?
- Who would endure his burdens and grunt and sweat their way through a painful existence if they weren't afraid of what may happen after death— that unknown land from where no visitor returns, which we ponder and which makes us prefer the difficulties we know to flying off to confront the ones we don't?
- As a result, our inherent impulse to act is weakened by too much pondering, and our dread of mortality makes us all cowards. Because of this type of thinking, activities of tremendous urgency and importance are thrown off course, and they cease to be actions at all. But wait, here comes the beautiful Ophelia!
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