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- George and Hazel were watching television. There were tears on Hazel's cheeks, but she'd forgotten for the moment what they were about.
- It was such a doozy that George was white and trembling, and tears stood on the rims of his redeyes. Two of of the eight ballerinas had collapsed to the studio floor, were holding their temples.
- #160;A moment passed, and then a ballerina arose, swaying like a willow. Harrison plucked the mental handicap from her ear, snapped off her physical handicaps with marvelous delicacy. Last of all he removed her mask. She was blindingly beautiful.
- I shall now select my Empress!#160;Let the first woman who dares rise to her feet claim her mate and her throne!
- And then, neutraling gravity with love and pure will, they remained suspended in air inches below the ceiling, and they kissed each other for a long, long time.
- It was then that Diana Moon Glampers, the Handicapper General, came into the studio with a double-barreled ten-gauge shotgun. She fired twice, and the Emperor and the Empress were dead before they hit the floor.
- There was the sound of a rivetting gun in his head.
- You can say that again,
- Gee - I could tell that one was a doozy,
- Gee - I could tell that one was a doozy,
- It is clear that within this work of Vonnegut's, individuality has been eliminated. Citizens are at all times regulated and told how they will live, how they will move, how they will talk, how they will look - nothing about the individual is kept from the state. If there is any semblance of an independent or creative thought amongst them (somehow bypassing the numerous inhibitions placed within them in order to prevent such things), they are to be neutralized immediately. In this manner, the elites of this future society have ensured that any manner of uprising is utterly and totally impossible: in so doing, their reign over the sheeple is guaranteed to persist without any significant challenge. Vonnegut has essentially created a dystopian society akin to that of Orwell's 1984, yet bereft of any possibility of hope or salvation from said society. He makes it abundantly clear that, if we allow ourselves to become complacent to the system, as George and Hazel have, and refuse to allow ourselves to stand firm alongside Harrison and the ballerina, we will be little more than ants in an ant-farm.
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