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The scene fades to a montage shot of images from the Catholic church and relating to faith.
The scene of montages fades again to show a panning shot of industrial buildings and mechanical work to represent the transition to the Industrial Revolution.
Cut back to a wide-shot of Matthew and his partner looking out the window. A backward truck movement is used to show that the story is concluding.
Now the shot is jumping from day to night back and forth to make it look like its a dream that's happening with the continuing movement of the camera.
Cut to back to the aerial view of the English channel zooming out until eventually, we're back with the shot of the Earth.
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