Dover Beach part 3

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Storyboard Text

  • The scene fades to a montage shot of images from the Catholic church and relating to faith.
  • The scene of montages fades again to show a panning shot of industrial buildings and mechanical work to represent the transition to the Industrial Revolution.
  • Cut back to a wide-shot of Matthew and his partner looking out the window. A backward truck movement is used to show that the story is concluding.
  • The End
  • Now the shot is jumping from day to night back and forth to make it look like its a dream that's happening with the continuing movement of the camera.
  • Cut to back to the aerial view of the English channel zooming out until eventually, we're back with the shot of the Earth.
  • 
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