All the world's a stage, And all the men and women merely players; they have their exits and their entrances, and one man in his time plays many parts, his acts being seven ages.
At first, the infant, mewling and puking in the nurse's arms.
Then the whining schoolboy, with his satchel and shining morning face, creeping like snail unwillingly to school.
We will portray stage with empty streets then add crowd as players. We will show seven different aged men in the same scene afterwards.
And then the lover, sighing like furnace, with a woeful ballad made to his mistress' eyebrow.
We will shoot a nurse holding a baby then she will drop it in slow motion and the scene will change before the baby lands.
Then a soldier, full of strange oaths and bearded like the pard, jealous in honor, sudden and quick in quarrel, seeking the bubble reputation even in the cannon's mouth.
Camera will continue going down to represent shifting life stages and show Mehmet (schoolboy) being dragged to school by İrem (his mother).
And then the justice, in fair round belly with good capon lined, with eyes severe and beard of formal cut, full of wise saws and modern instances; and so he plays his part.
We want to show that sighing refers to deteriorating relationship, so boy will hold roses for his lover but drop them and camera will show his bloody hand.
The scene will begin with an extreme close shot of eyes of a soldier then it will slowly show the bigger scene which is war. Then the soldier will be shot and the camera will get closer to his closed eyes as he lies down on the ground .