Wrinkle In Time
Storyboard Text
- Introduction
- Darling...
- Darling...
- Darling, time for dinner!
- Darling, time for dinner!
- Rising Action
- Twice 5 is 10, Twice 6 is 12, Twice 7 is 14, Twice 8 is 16...
- Climax
- Welcome to Central Central Intelligence!
- Shot/Scene action: This shot shows Meg, Calvin, and Charles Wallace arriving in the suburbs of Camazotz. Mise-en-scene: This shot uses identical costumes for the characters within Camazotz.Cinematography: The camera bounces sharply between close-ups of the Camazotz children and Meg, Calvin, and Charles Wallace.Editing: The shot zooms out to encompass the entire cul-de-sac.Sound: Diegetic sounds include the synchronous bouncing of the balls. Intense non-diegetic choir-like music builds. The diegetic and non-diegetic sound is followed by silence.
- Falling Action
- Shot/Scene action: After the suburban community collapses, the kids arrive at the Camazotz beach. Here they meet The Man with Red Eyes, who compels IT into Charles Wallace.Mise-en-scene: The shot uses natural lighting to depict a natural beach environment.Cinematography: The camera opens with a close-up shot of the kid's feet. Editing: The shot pans up and simultaneously zooms out to show the new setting.Sound: Diegetic sounds include the waves crashing and birds chirping. Non-diegetic sound includes the upbeat, motivational music.
- Resolution
- Shot/ scene action: Meg and Calvin are brought to Central Central Command by Charles Wallace and The Man with Red Eyes.Mise-en-scene: Central Central Command is depicted as a sphere-shaped white room, with no apparent escape. Cinematography: The camera begins at a low angle moving on a vertical tilt. Editing: The shot transitions into a moving horizontal plane to show the entirety of the room.Sound: Non-diegetic sounds include ominous music playing. Diegetic sounds include footsteps and distant whispering.
- Shot/scene action: Meg uses Mrs. Who's glasses to reveal a hidden staircase leading to a gateway within Central Central Command. Mise-en-scene: Room is brightly lit but audience is unaware of light source. Cinematography: Camera uses wide shot from low angle to show the hidden path.Editing: The shot uses a deep focus to show Meg moving upwards in relation to Charles Wallace and Calvin.Sound: There is uplifting music playing as non-diegetic sound. There is not much diegetic sound within this scene minus footsteps and breathing.
- Shot/scene action: Meg enters the gateway into a colorful room where she finds her father. Mise-en-scene: The room contains low-light, displaying Mr. Murry and Meg as silhouettes. Cinematography: The camera uses a rack focus to slowly reveal that it is indeed Mr. Murry.Editing: The shot bounces back and forth between Meg and Mr. Murry as they slowly move closer to each other to meet in the middle.Sound: Non-diegetic: The uplifting music stops and there is a brief second of silence. Wonderous music picks up. Diegetic sounds include footsteps and crying.
- Dad!
-
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