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"ANNABEL LEE" BY EDGAR ALLAN POE
!["ANNABEL LEE" BY EDGAR ALLAN POE](https://sbt.blob.core.windows.net/storyboards/1589b283/untitled-storyboard_thumb.webp?utc=134223247794300000 ""ANNABEL LEE" BY EDGAR ALLAN POE")
Texto del Guión Gráfico
- Deslizar: 1
- In a castle near sea
- The setting creates a magical fairy tale like atmosphere making the love between the narrator and Annabel Lee feel pure and perfect. This magical opening contrasts sharply with the tragedy that follows.
- Deslizar: 2
- I was a child and she was a child
- The narrator is reminiscing on their love and on how young they were when it started. He recalls their memories together in the kingdom by the sea. He expresses his deep love towards her even after her death.
- Deslizar: 3
- We loved with a love that was more than love
- The narrator says that he and Annabel Lee loved each other with a love that was more than love itself. This shows that their relationship was not ordinary, but full of deep emotional connection and devotion. It also helps explain why he can never forget her.
- Deslizar: 4
- A wind blew out of a cloud, chilling my beautiful Annabel Lee
- This is the moment when the poem changes from love and happiness to sadness and loss. The cold wind symbolizes the force that brings sickness and death into Annabel Lee’s life. What was once a peaceful love story now becomes tragic and heartbreaking.
- Deslizar: 5
- Her highborn kinsmen came and bore her away from me
- This line shows the narrator losing Annabel Lee not only through death, but also through physical separation. Her highborn kinsmen take her away, leaving him alone in sorrow. It adds to the feeling that everything precious has been taken from him.
- Deslizar: 6
- ANNABEL LEE
- I lie down by the side of my darling...in her tomb by the sea
- The narrator continues to stay near Annabel Lee’s tomb, unable to let go of the love they once shared. His grief is so powerful that he remains emotionally bound to her. This scene shows how love and sorrow have completely taken over his life.
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