Physiognomy is used in literature to point to a character’s true intentions and inner self by creating physical manifestations of these traits. An author can create an evil character and point to their untrustworthiness by giving them some kind of outer deformity; likewise, the author can also point to a character’s inherent goodness by making them flawless. This is most often exemplified in fairytales or Disney movies, where the witch or villain is almost always flawed physically, with ugliness and deformities predominating their face and bodies. On the other hand, the princess, prince, or hero of these stories is almost always flawless, and the viewer or reader is expected to understand that this lack of physical deformity makes them inherently good. In literature, Roger Chillingworth and Mordred in The Scarlet Letter and The Once and Future King both have deformities of the shoulder, making one shoulder higher than the other. While this may seem like a slight flaw, both men become villains of the story and ultimately destroy the happiness of Hester and Arthur, the heroes of the stories.