MMART110 Storyboard Draft 2
Storyboard Text
- Slide: 1
- [1] 1A-B. TITLE“THE LION AND THE MOUSE”
- ROSEDALE, ILLINOISOCTOBER 31, 2002HALLOWEEN NIGHT
- FADE IN:1A. TITLE:SUPERIMPOSE:
- Slide: 2
- [2] 2A-D. ESTAB. POV MLSEXT. ROSEDALE, IL NEIGHBORHOOD – NIGHT
- A quiet middle-class suburb. Everything is dark except for the gold-orange glow of streetlights peppered throughout the neighborhood between bare trees and naked shrubbery.
- Slide: 3
- [3] 3B. MASTER 4SINT. MOORE CHILDREN'S NURSERY– NIGHT
- Beautiful nursery room. Three children are sleeping in their beds. LILY MOORE, 39, stares out the window.
- Slide: 4
- [4] 3D. CU POVINT. MOORE CHILDREN’S NURSERY – NIGHT
- AESOP'S FABLES
- THE LION THE MOUSE
- Lily turns back to the children sleeping soundly. She smiles before glancing out of the window again. Beat. She reaches for a big picture book resting atop a bookcase near the window. It's Aesop’s “The Lion And The Mouse.” Lily lovingly brushes her hand across the cover.
- Slide: 5
- [5] 4A: TITLESUPERIMPOSE:
- HADDONFIELD, ILLINOISOCTOBER 31, 1978HALLOWEEN NIGHT
- Haddonfield, Il, October 31st, Halloween Night
- Slide: 6
- [6] 5A. ESTAB POVEXT. HADDONFIELD, IL NEIGHBORHOOD – NIGHT
- It's 1978. The same night 24 years ago.PATROL CARS and OFFICERS on foot, all searching for MICHAEL MYERS -- THE SHAPE.But The Shape isn’t on the streets.
- Slide: 7
- [7] 6A. WS OTS, 3SINT. THE PROCTOR HOUSE - LIVING ROOM – NIGHT
- Lily, now 16, enters the house carrying a pizza. It's dark, but not so dark she doesn't see furniture toppled over and other signs of disruption.She can’t see The Shape waiting in a dark corner. Suddenly, a smaller figure rushes across the living room, making a mad dash for the door, towards Lily.
- Slide: 8
- [8] 6B. MS, 2SINT. THE PROCTOR HOUSE - LIVING ROOM – NIGHT
- The figure is revealed to be 13-year-old LISA PROCTOR. The Shape springs out of the darkness to grab her by the throat. The Shape holds Lisa captive.
- Slide: 9
- [9] 6C. MS, 2SINT. THE PROCTOR HOUSE - LIVING ROOM – NIGHT
- The Shape holds Lisa captive. Lily bargains for Lisa’s life.
- Slide: 10
- [10] 6D. ECU, 2SINT. THE PROCTOR HOUSE - LIVING ROOM – NIGHT
- The Shape considers. The deal is made
- Slide: 11
- [11] 8A-C. Sequential: MLS to MCU 3SINT. MOORE CHILDREN’S NURSERY – NIGHT
- Lily tucks each child under their covers, kisses them, turns on their nightlight
- Slide: 12
- [12] 8D-E. Sequential: MCU SINT. MOORE CHILDREN’S NURSERY – NIGHT
- After turning on the nightlights in the room, Lily goes back to the window and looks down seeing--
- Slide: 13
- [13] 8F. POV CU SINT. MOORE HOUSE NURSERY - NIGHT
- Shape appearing from the mists in the yard below, staring up at her. His shoulder is soaked in blood.
- Slide: 14
- [14] 8G. ECU Reflection2SINT. MOORE CHILDREN’S NURSERY – NIGHT
- Lily looks down at The Shape, who is REFLECTED in her eyes.
- Slide: 15
- [15] 8H. CU SINT. MOORE CHILDREN’S NURSERY – NIGHT
- Lily gently places the book back on the top shelf of the bookcase.She leaves the nursery.
- Slide: 16
- [16] 9A. MS SINT. MOORE HOUSE KITCHEN - NIGHT
- Lily heads downstairs and into the kitchen, where she retrieves a red medical bag from the top shelf in the pantry.
- Slide: 17
- [17] 9B.Sequential: MS to MCU SINT. MOORE HOUSE KITCHEN - NIGHT
- She turns off the kitchen light. Darkness with moonlight streams through the windows and the nightlights glow. Lily walks to the window and looks outside into the backyard. Lily sees him. The Shape. He's standing behind a large hedge, unmindful of the sound of sirens all across town. He stares at her, waiting.
- Slide: 18
- [18] 9C. MS SINT. MOORE HOUSE KITCHEN - NIGHT
- Lily opens the kitchen door and steps outside. She pauses before closing the door and walking into the mist and disappearing into the night.
- Slide: 19
- [19] 10a. TITLE
- FADE OUT
- Slide: 20
- NOTES
- THANK YOU FOR TAKING A LOOK AT MY STORYBOARD DRAFT. I REALLY APPRECIATE IT.I JUST WANT TO MAKE NOTE OF THE WAY I USED TWO TYPES OF ART FOR IT BECAUSE I WANT TO KNOW WHICH ONE IS MORE APPEALING AND PROFESSIONAL.THE STICK ART WAS SIMPLE, BUT I FOUND THAT THISMETHOD TOOK MORE TIME FOR SOME REASON. I THINK IT WAS BECAUSE I WAS ABLE TO USE SO MUCH CLIP ART.THE "ART TYPE/LINE" ART WAS A BIT EASIER AND A LITTLE FASTER BECAUSE I DIDN'T USE AS MUCH OF IT TO TELL THE VISUAL STORY.EITHER WAY, PLEASE GIVE ME AN HONEST CRITIQUE. IT'LL HELP ME A LOT FOR MY FINAL STORYBOARD.AGAIN, I REALLY APPRECIATE THIS
- THANK YOU
Over 30 Million Storyboards Created