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  • STOCK VIDEO FOOTAGE:Drone video of The Motherland Monument
  • N.Y. SCENE: SLY IN LIVING ROOM
  • STOCK VIDEOS AND PHOTOS
  • STOCK VIDEOS AND PHOTOS
  • N.Y. SCENE: PUTNAM PLACE AND STOCK VIDEOS AND PHOTOS
  • N.Y. SCENE: PUTNAM PLACE
  • UKRAINE SCENE: WOMAN IN CENTER OF WAR TORN CITY
  • UKRAINE SCENE: WOMAN IS THINKING AT KITCHEN TABLE.
  • UKRAINE SCENE: WOMAN AT A WINDOW
  • UKRAINE SCENE: PACKED BAGS ON TABLE
  • The video clip plays fastSong timing: 00:00-00:02
  • UKRAINE SCENE: GATHERING HER BELONGINGS TO LEAVE.
  • Photo clips play one after another (non headlines)00:02 - 00:07
  • UKRAINE SCENE: ESCAPING THE CITY/TOWN
  • Sly turns TV on, to watch the news, camera then focuses into the headlines on TV screen.00:07 - 00:09
  • UKRAINE SCENE: REVEALING OF WOMAN'S BELLY
  • Headlines starts playing fast one after another (to the beat of music)00:09 - 00:12
  • UKRAINE SCENE: LEFT BEHIND TEDDY BEAR OR BABY TOY
  • Camera zooms out from news clips continue to play on flatscreen at Putnam and the band is playing (news headlines continue to play behind them and include next scene of "about a girl".00:12 - 00:15
  • N.Y. SCENE: PUTNAM PLACE
  • Band is playing now looking at the screen of the next scene in music video, "About a Girl". The camera quickly zooms into the scene on TV.00:15 - 00:16
  • UKRAINE SCENE: WOMAN WALKING TO THE CAR
  • Song lyrics, "ABOUT A GIRL" Young woman is standing in the middle of the center of her war torn city/town standing with her hands straight by her side. The camera hides her pregnant belly. She has no expression on her face.00:16 - 00:17
  • UKRAINE SCENE: WOMAN IN CAR
  • Young woman's head is down (I couldn't edit character) looking at her hands. Maybe she is looking at rosaries, or her hands are grasped. She is in deep thought00:17 -
  • UKRAINE SCENE: WOMAN IN CAR
  • Young woman is looking out window at her war torn city, you can see in her eyes, the weight of the world, she contemplates fleeing the city/town (her belly is hidden from scene). The next scene shows her packed bags.00:17
  • N.Y. SCENE: PUTNAM PLACE
  • Camera zooms into the bags that have been packed.
  • UKRAINE SCENE: WOMAN IN CAR
  • Young woman begins to quickly gather her bags as she has made her decision to leave. Her pregnant belly is still hidden.
  • NY SCENE:
  • The young woman walks briskly through the war torn city, the bags and teddy bear are covering her pregnant belly.00:19 -
  • UKRAINE SCENE: YOUNG MAN IN CENTER OF WAR TORN CITY
  • She continues to walk fast and doesn't realize she has dropped the teddy. The camera starts from the top of her head and then zooms down and out showing her belly and then the teddy she leaves behind.
  • UKRAINE SCENE: YOUNG MAN IN BATHROOM
  • Camera zooms into teddy bear left behind. It is a symbol of the innocence being left behind from the effects of the war.
  • UKRAINE SCENE: YOUNG MAN IN BATHROOM
  • UKRAINE SCENE: YOUNG MAN IN BATHROOM
  • The young woman could either be walking to her car or getting in it.
  • UKRAINE SCENE: YOUNG MAN IN BATHROOM
  • The woman is driving but it is nighttime and one hand is on her belly. The scene is to show the chaos that she is escaping from. Effects will be added to scene in post production.
  • UKRAINE SCENE: AT HOME
  • Young woman driving, different view. Perhaps she looks in the rear view mirror with determined eyes.
  • UKRAINE SCENE: WALKING TO MEET FELLOW SOLDIERS
  • UKRAINE SCENE: YOUNG MAN AND FELLOW SOLDIERS WALK TO TRENCH/BUNKER
  • Young woman driving, front view (if possible). She doesn't have to be driving because we will add effects to the background post production to manipulate the night sky to be almost psychedelic.
  • UKRAINE SCENE: YOUNG MAN WITH TEAM IN TRENCH
  • The band continues to play and follows along to the story they are watching, which is now about to introduce the young man. In this scene on the band's TV, is the young man's apartment building.
  • The young man is introduced into the story. He is standing in the center of his town/city with no expression on his face and his hands straight down against his body.
  • The young man is getting ready for the day, brushing his teeth. He could be wearing a plain undershirt.
  • The. young man is maybe now brushing his hair still with just an undershirt. The viewers don't know he is a soldier yet until he puts his helmet in two scenes ahead of this one.
  • He is putting on the rest of his military wear while looking in the mirror. But, we can't tell that he is a soldier yet.
  • The viewers understand now that he is a soldier as the scene shows the young man putting his helmet on. The viewers now know he is a young soldier getting ready for war.
  • The young man leaves home for battle.
  • The camera follows him walking as he walks to meet his fellow soldiers
  • The young man and his fellow soldiers walk to a trench or bunker.
  • I could not find the ideal picture for this scene. The men could be chatting about their battle plans or putting on the rest of their gear, loading a gun perhaps.
  • UKRAINE SCENE: TEAM IN TRENCH
  • UKRAINE SCENE: IN TRENCH
  • UKRAINE SCENE: TEAM IS ON THE MOVE
  • UKRAINE SCENE: YOUNG MAN AIMING WITH HIS GUN
  • UKRAINE SCENE: TEAM ON THE MOVE
  • UKRAINE SCENE: YOUNG MAN STANDING WITH GUN
  • The men share in a prayer or quiet moment. One man is on his knee.
  • UKRAINE SCENE: Two worlds about to interact
  • The young man is looking out with binoculars. He does not have a face cover on and you can see his face, unless that is routine?
  • NEW YORK SCENE: Two worlds about to interact
  • UKRAINE / NEW YORK: Two scenes in one; Two worlds interact through space and time
  • The young man is in the back and his leader is in the front. They walk slowly with their guns.
  • UKRAINE / NEW YORK: Two scenes in one; Two worlds interact through space and time
  • NEW YORK: POST PRODUCTION THE SCENE WILL SPIN (N.Y. ON THE LEFT UKRAINE ON RIGHT).
  • He does not have to shoot, unless he can with blanks and it is safe to do so.
  • NEW YORK: POST PRODUCTION THE SCENE WILL SPIN
  • UKRAINE / NEW YORK: Two scenes in one; Two worlds interact through space and time
  • The camera follows them as they move to another trench or home for the day?
  • UKRAINE SCENE: YOUNG MAN WALKS WITH LARGE FLAG (IF YOU HAVE ONE)
  • Camera shoots from the young man's waist up to his face. He is looking at the camera and is still.
  • The young woman is back at the center of her town/city. She begins to walk forward, as if something is pulling her forwards. She can't ignore it. She sees something she can't explain and wants to examine closer. It is a good vibe, she feels warm and safe. She reaches out to touch the invisible shield that splits this scene with the next scene in N.Y.
  • Sly walks away from the band as they continue to play and is drawn to an area on the grounds. He then sees something he can't explain. He reaches out to touch it as if he could feel the shield.
  • They both reach out and begin to see each other. They try and touch hands as if it is something that has to happen. FYI: I couldn't move the characters arms/hands the way I wanted them to be so I added an image of how their hands should almost touch.
  • Closer look at the hands reaching out.
  • When they almost touch hands, the scene will slowly spin 360 degrees.
  • The spin stops to its original scene.
  • They put their hands down almost smiling, a bit confused.
  • UKRAINE: TOP OF A MOUNTAIN (REUNION)
  • UKRAINE: TOP OF A MOUNTAIN (REUNION)
  • UKRAINE: TOP OF A MOUNTAIN: (REUNION)
  • UKRAINE: TOP OF A MOUNTAIN (REUNION)
  • UKRAINE: TOP OF A MOUNTAIN (REUNION)
  • UKRAINE: TOP OF A MOUNTAIN (REUNION)
  • UKRAINE: TOP OF A MOUNTAIN (REUNION)
  • N.Y. SCENE: SLY LIVING ROOM
  • UKRAINE: TOP OF A MOUNTAIN (REUNION)
  • The young man is standing at the top of a mountain and obviously seems happy. He is smiling at someone who is approaching him. It is the young woman and their baby. But, we do not see them right away.
  • The young woman is walking fast (this is supposed to be the same girl, I just couldnt remove pregnant below from the other female character. She is extremely happy towards him. You only see her in this scene.
  • The couple have not seen each other in a little while and they embrace each other with so much happiness.
  • Their toddler follows his Mom shortly after. We only see the cute toddler in this photo. He is happy to meet his Father for the first time as his Mom has told him many stories about his Dad.
  • The young man is beyond excited to meet his son for the first time. The young woman is extremely happy.
  • They embrace each other - A family hug. The camera zooms out.
  • The camera continues to zoom out and the family gets smaller.
  • Image Attributions: (https://pixabay.com/en/people-girl-lady-sexy-walking-2561233/) - StockSnap - License: Free for Commercial Use / No Attribution Required (https://creativecommons.org/publicdomain/zero/1.0)2207894 (https://www.pexels.com/photo/white-sink-2207894/) - julie aagaard - License: Free To Use / No Attribution Required / See https://www.pexels.com/license/ for what is not allowed4831963 (https://pixabay.com/illustrations/duffel-duffle-bag-handles-luggage-4831963/) - tkh_0192 - License: Free for Most Commercial Use / No Attribution Required / See https://pixabay.com/service/license/ for what is not allowed

Image Attributions

  • https://pixabay.com/en/people-girl-lady-sexy-walking-2561233/ - StockSnap - (License Free for Commercial Use / No Attribution Required (https://creativecommons.org/publicdomain/zero/1.0) )
  • 2207894 - julie aagaard - (License Free To Use / No Attribution Required / See https://www.pexels.com/license/ for what is not allowed )
  • 4831963 - tkh_0192 - (License Free for Most Commercial Use / No Attribution Required / See https://pixabay.com/service/license/ for what is not allowed )
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