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  • What should I do?
  • By no means should you do this: let the bloated king seduce you into bed, pinch your cheek, call you his pet, or with smelly kisses and caresses of your neck with his damned fingers get you to reveal that I am not crazy, but am just pretending to be. What a good thing it would be if you told him that, because why would a queen who’s fair, sober, and wise hide such important things from a toad, a pig, a tom-cat like him? Who would do such a thing? No, forget about good sense and secrecy, and open the door of the cage and let the birds fly out, and—like that ape in the famous story who tried to imitate birds and try to fly—break your neck in the process.
  • Trust me: as words are made of breath, and breath is a necessity of life, I will give up my life rather than breathe a word of what you’ve said to me.
  • oh no, I’d forgotten. It’s been decided.
  • I must go to England, did you know that?
  • The documents are signed and sealed, and my two schoolmates—whom I’ll trust like I would a poisonous snake—are the messengers. They’re the ones who’ll lead me on to whatever trickery I’m going to face. Let it come, because it’s fun to fix things so the engineer gets blow up by his own bombs. It’s going to be tough on them. I’m going to dig down below their bombs and blow them up to the moon. Oh, it’s sweet when you can kill two birds with one stone. [He points to POLONIUS] Killing this man is going to make me have to leave even sooner. I’ll drag his guts into the next room. Mother, good night. This adviser—who was in life a foolish, moralizing liar—is now so quiet, secretive, and serious.
  • Come on, sir, let me drag you toward your end.
  • Good night, mother.
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