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- Slide: 1
- Hey You
- We fade in to find a well dressed man attempt to exit out of a door when he suddenly sees a young woman sleeping next to a dumpster. She looks pale, and ill, so he decides he must help.
- Slide: 2
- Good Times Bad Times
- We now see a master shot of the two at a table in the restaurant he was leaving. He drinks a bottle of water, and orders the young woman a cheeseburger meal, she looks like she has not eaten in a long time. She does not look up, she does not acknowledge his presence, they sit quietly.
- Slide: 3
- Hotel California
- We are now in a spare bedroom in the mans house, he has given her a place to stay for the night, and overwhelmed by his kindness as well as exhaustion, she is brought to tears. The man leaves, forgetting his briefcase in the room. Here we follow the rule of thirds of the woman, the briefcase, and the man.
- Slide: 4
- Mary Janes Last Dance
- We pan across the main floor of the home to land on the woman quietly walking down the stairs with the briefcase, and exits through the front door. She cannot help herself, and despite the wave of guilt rushing over her, she is powerless.
- Slide: 5
- Under The Bridge
- Early the next morning, we open to a shot of the woman meeting her drug dealer under a bridge, as she hands him the briefcase which happens to have valuables in exchange for drugs. Her face tell the whole story here. Also take into account the composition of this shot, with the sun peering out of the two under the bridge.
- Slide: 6
- The House of The Rising Sun
- As we fade into a rundown old apartment, two cops stand over the near lifeless body of the woman. Only a sheetlets mattress lie on the floor, and one of the officers calls for a paramedic. Another cop stands shocked at the discovery. Set design is purposefully very dark.
- Slide: 7
- Knocking' On Heavens Door
- The following morning, our main characters are in a hospital room. The man sleeps as the woman kneels next to her bed and prays. It is early the following morning, and despite stealing and running from him, he is the only one there for her. For this scene, we purposefully return to the lighter set.
- Slide: 8
- The End
- This final shot is meant to show a sense of healing in our characters. For the first time, the woman holds her head up high, and the pigmentation has returned to her skin. She seems healthier, and everything around her is looking bright as she enjoy a cup of coffee with the man. There is also excellent composition in this master shot.
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