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- My necessaries are embark’d: farewell
- Tight framing
- Tight framing into two shot
- A violet in the youth of primy nature, Forward, not permanent, sweet, not lasting
- Tight frame to high angle
- Grows wide withal. Perhaps he loves you now, And now no soil nor cautel doth besmirch is
- Laertes is packing, but also talking to Ophelia. His back is turned to Ophelia and he is focused on leaving. While Ophelia is sitting on his bed.
- Pans away from Laertes and is eye level with Ophelia
- Than the main voice of Denmark goes withal. Then weigh what loss you honour may sustain, If with too credent ear you list his songs, Or lose your heart, or your chaste treasure open
- The main focus is on Laertes then the frame shows Ophelia during their conversation to see her emotions towards Laertes.
- eye level, two shot
- Main focus on Laertes talking about how Hamlet doesn’t love Ophelia. High angle is to show Laertes power over Ophelia.
- Two shot, pans over to Polonious, and tilts down to up
- I stay too long: but here my father comes.
- This is to see Ophelias reaction to what Laertes is saying to her.
- To show the confliction between the two and Ophelia talking back to Laertes
- I shall the effect of this good lesson keep, As watchman to my heart. But, good my brother, Do not, as some ungracious pastors do, Show me the steep and thorny way to heaven; Whiles, like a puff’d and reckless libertine, Himself the primrose path of dalliance treads, And recks not his own rede
- This is to show Ophelia and Laertes are still in the room, and then pans over to the door to show Polonious entering the room. When Polonious enters the room it tilts from his feet to his face.
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