If thou dar'st tempt me further, draw thy sword
I struck him first, yet it's no matter for that
Hold Toby. I charge thee hold...Against thy peace. Go with me to my house.
I am mad, or else this is a dream. Madam I will.
Act 4 Scene 1
They have here propertied me, keep me in darkness, send ministers to me—asses!—and do all they can to face me out of my wits...help me to some light and some paper. I tell thee
Madman, thou errest. I say, there is no darkness but ignorance, in which thou art more puzzled than the Egyptians in their fog.
Act 4 Scene 2
If you mean well,
Now go with me and with this holy manInto the chantry by. There, before himAnd underneath that consecrated roof,Plight me the full assurance of your faith,
I’ll follow this good man, and go with you;
And, having sworn truth, ever will be true.
Act 4 Scene 3
After him I love
More than I love these eyes, more than my life,More, by all mores, than e'er I shall love wife.If I do feign, you witnesses above,Punish my life for tainting of my love!
Cesario, my husband, stay here.
Oh, you little liar! How much worse will you be when you’re older? Maybe you’ll get so good at deceit that your tricks will destroy you. Goodbye, and take her. Just never set foot in any place where you and I might happen to meet.
Act 5 Scene 1
One face, one voice, one habit, and two persons!A natural perspective, that is and is not!
The count’s messenger, Cesario. We thought he was a coward, but he fights like a devil.
I am sorry, madam, I have hurt your kinsman,
But, had it been the brother of my blood,
I must have done no less with wit and safety.
You throw a strange regard upon me, and by that
I’m offering you my hand in marriage because of your loyal service to me, which was far from what any woman should be expected to do, especially a noble woman. You’ve called me “master” for so long. And now you’ll be your master’s mistress.
Madam, you have done me wrong,
Notorious wrong.
Alas, Malvolio, this is not my writing,
340Though, I confess, much like the character.
But out of question, ’tis Maria’s hand.
Act 5 Scene 1
Act 5 Scene 1
If thou dar'st tempt me further, draw thy sword
I struck him first, yet it's no matter for that
Hold Toby. I charge thee hold...Against thy peace. Go with me to my house.
I am mad, or else this is a dream. Madam I will.
Act 4 Scene 1
They have here propertied me, keep me in darkness, send ministers to me—asses!—and do all they can to face me out of my wits...help me to some light and some paper. I tell thee
Madman, thou errest. I say, there is no darkness but ignorance, in which thou art more puzzled than the Egyptians in their fog.
Act 4 Scene 2
If you mean well,
Now go with me and with this holy manInto the chantry by. There, before himAnd underneath that consecrated roof,Plight me the full assurance of your faith,
I’ll follow this good man, and go with you;
And, having sworn truth, ever will be true.
Act 4 Scene 3
After him I love
More than I love these eyes, more than my life,More, by all mores, than e'er I shall love wife.If I do feign, you witnesses above,Punish my life for tainting of my love!
Cesario, my husband, stay here.
Oh, you little liar! How much worse will you be when you’re older? Maybe you’ll get so good at deceit that your tricks will destroy you. Goodbye, and take her. Just never set foot in any place where you and I might happen to meet.
Act 5 Scene 1
One face, one voice, one habit, and two persons!A natural perspective, that is and is not!
The count’s messenger, Cesario. We thought he was a coward, but he fights like a devil.
I am sorry, madam, I have hurt your kinsman,
But, had it been the brother of my blood,
I must have done no less with wit and safety.
You throw a strange regard upon me, and by that
I’m offering you my hand in marriage because of your loyal service to me, which was far from what any woman should be expected to do, especially a noble woman. You’ve called me “master” for so long. And now you’ll be your master’s mistress.
Madam, you have done me wrong,
Notorious wrong.
Alas, Malvolio, this is not my writing,
340Though, I confess, much like the character.
But out of question, ’tis Maria’s hand.
Act 5 Scene 1
Act 5 Scene 1
If thou dar'st tempt me further, draw thy sword
I struck him first, yet it's no matter for that
Hold Toby. I charge thee hold...Against thy peace. Go with me to my house.
I am mad, or else this is a dream. Madam I will.
Act 4 Scene 1
They have here propertied me, keep me in darkness, send ministers to me—asses!—and do all they can to face me out of my wits...help me to some light and some paper. I tell thee
Madman, thou errest. I say, there is no darkness but ignorance, in which thou art more puzzled than the Egyptians in their fog.
Act 4 Scene 2
If you mean well,
Now go with me and with this holy manInto the chantry by. There, before himAnd underneath that consecrated roof,Plight me the full assurance of your faith,
I’ll follow this good man, and go with you;
And, having sworn truth, ever will be true.
Act 4 Scene 3
After him I love
More than I love these eyes, more than my life,More, by all mores, than e'er I shall love wife.If I do feign, you witnesses above,Punish my life for tainting of my love!
Cesario, my husband, stay here.
Oh, you little liar! How much worse will you be when you’re older? Maybe you’ll get so good at deceit that your tricks will destroy you. Goodbye, and take her. Just never set foot in any place where you and I might happen to meet.
Act 5 Scene 1
One face, one voice, one habit, and two persons!A natural perspective, that is and is not!
The count’s messenger, Cesario. We thought he was a coward, but he fights like a devil.
I am sorry, madam, I have hurt your kinsman,
But, had it been the brother of my blood,
I must have done no less with wit and safety.
You throw a strange regard upon me, and by that
I’m offering you my hand in marriage because of your loyal service to me, which was far from what any woman should be expected to do, especially a noble woman. You’ve called me “master” for so long. And now you’ll be your master’s mistress.
Madam, you have done me wrong,
Notorious wrong.
Alas, Malvolio, this is not my writing,
340Though, I confess, much like the character.
But out of question, ’tis Maria’s hand.
Act 5 Scene 1
Act 5 Scene 1
If thou dar'st tempt me further, draw thy sword
I struck him first, yet it's no matter for that
Hold Toby. I charge thee hold...Against thy peace. Go with me to my house.
I am mad, or else this is a dream. Madam I will.
Act 4 Scene 1
They have here propertied me, keep me in darkness, send ministers to me—asses!—and do all they can to face me out of my wits...help me to some light and some paper. I tell thee
Madman, thou errest. I say, there is no darkness but ignorance, in which thou art more puzzled than the Egyptians in their fog.
Act 4 Scene 2
If you mean well,
Now go with me and with this holy manInto the chantry by. There, before himAnd underneath that consecrated roof,Plight me the full assurance of your faith,
I’ll follow this good man, and go with you;
And, having sworn truth, ever will be true.
Act 4 Scene 3
After him I love
More than I love these eyes, more than my life,More, by all mores, than e'er I shall love wife.If I do feign, you witnesses above,Punish my life for tainting of my love!
Cesario, my husband, stay here.
Oh, you little liar! How much worse will you be when you’re older? Maybe you’ll get so good at deceit that your tricks will destroy you. Goodbye, and take her. Just never set foot in any place where you and I might happen to meet.
Act 5 Scene 1
One face, one voice, one habit, and two persons!A natural perspective, that is and is not!
The count’s messenger, Cesario. We thought he was a coward, but he fights like a devil.
I am sorry, madam, I have hurt your kinsman,
But, had it been the brother of my blood,
I must have done no less with wit and safety.
You throw a strange regard upon me, and by that
I’m offering you my hand in marriage because of your loyal service to me, which was far from what any woman should be expected to do, especially a noble woman. You’ve called me “master” for so long. And now you’ll be your master’s mistress.
Madam, you have done me wrong,
Notorious wrong.
Alas, Malvolio, this is not my writing,
340Though, I confess, much like the character.
But out of question, ’tis Maria’s hand.
Act 5 Scene 1
Act 5 Scene 1
If thou dar'st tempt me further, draw thy sword
I struck him first, yet it's no matter for that
Hold Toby. I charge thee hold...Against thy peace. Go with me to my house.
I am mad, or else this is a dream. Madam I will.
Act 4 Scene 1
They have here propertied me, keep me in darkness, send ministers to me—asses!—and do all they can to face me out of my wits...help me to some light and some paper. I tell thee
Madman, thou errest. I say, there is no darkness but ignorance, in which thou art more puzzled than the Egyptians in their fog.
Act 4 Scene 2
If you mean well,
Now go with me and with this holy manInto the chantry by. There, before himAnd underneath that consecrated roof,Plight me the full assurance of your faith,
I’ll follow this good man, and go with you;
And, having sworn truth, ever will be true.
Act 4 Scene 3
After him I love
More than I love these eyes, more than my life,More, by all mores, than e'er I shall love wife.If I do feign, you witnesses above,Punish my life for tainting of my love!
Cesario, my husband, stay here.
Oh, you little liar! How much worse will you be when you’re older? Maybe you’ll get so good at deceit that your tricks will destroy you. Goodbye, and take her. Just never set foot in any place where you and I might happen to meet.
Act 5 Scene 1
One face, one voice, one habit, and two persons!A natural perspective, that is and is not!
The count’s messenger, Cesario. We thought he was a coward, but he fights like a devil.
I am sorry, madam, I have hurt your kinsman,
But, had it been the brother of my blood,
I must have done no less with wit and safety.
You throw a strange regard upon me, and by that
I’m offering you my hand in marriage because of your loyal service to me, which was far from what any woman should be expected to do, especially a noble woman. You’ve called me “master” for so long. And now you’ll be your master’s mistress.
Madam, you have done me wrong,
Notorious wrong.
Alas, Malvolio, this is not my writing,
340Though, I confess, much like the character.
But out of question, ’tis Maria’s hand.
Act 5 Scene 1
Act 5 Scene 1
If thou dar'st tempt me further, draw thy sword
I struck him first, yet it's no matter for that
Hold Toby. I charge thee hold...Against thy peace. Go with me to my house.
I am mad, or else this is a dream. Madam I will.
Act 4 Scene 1
They have here propertied me, keep me in darkness, send ministers to me—asses!—and do all they can to face me out of my wits...help me to some light and some paper. I tell thee
Madman, thou errest. I say, there is no darkness but ignorance, in which thou art more puzzled than the Egyptians in their fog.
Act 4 Scene 2
If you mean well,
Now go with me and with this holy manInto the chantry by. There, before himAnd underneath that consecrated roof,Plight me the full assurance of your faith,
I’ll follow this good man, and go with you;
And, having sworn truth, ever will be true.
Act 4 Scene 3
After him I love
More than I love these eyes, more than my life,More, by all mores, than e'er I shall love wife.If I do feign, you witnesses above,Punish my life for tainting of my love!
Cesario, my husband, stay here.
Oh, you little liar! How much worse will you be when you’re older? Maybe you’ll get so good at deceit that your tricks will destroy you. Goodbye, and take her. Just never set foot in any place where you and I might happen to meet.
Act 5 Scene 1
One face, one voice, one habit, and two persons!A natural perspective, that is and is not!
The count’s messenger, Cesario. We thought he was a coward, but he fights like a devil.
I am sorry, madam, I have hurt your kinsman,
But, had it been the brother of my blood,
I must have done no less with wit and safety.
You throw a strange regard upon me, and by that
I’m offering you my hand in marriage because of your loyal service to me, which was far from what any woman should be expected to do, especially a noble woman. You’ve called me “master” for so long. And now you’ll be your master’s mistress.
Madam, you have done me wrong,
Notorious wrong.
Alas, Malvolio, this is not my writing,
340Though, I confess, much like the character.
But out of question, ’tis Maria’s hand.
Act 5 Scene 1
Act 5 Scene 1
If thou dar'st tempt me further, draw thy sword
I struck him first, yet it's no matter for that
Hold Toby. I charge thee hold...Against thy peace. Go with me to my house.
I am mad, or else this is a dream. Madam I will.
Act 4 Scene 1
They have here propertied me, keep me in darkness, send ministers to me—asses!—and do all they can to face me out of my wits...help me to some light and some paper. I tell thee
Madman, thou errest. I say, there is no darkness but ignorance, in which thou art more puzzled than the Egyptians in their fog.
Act 4 Scene 2
If you mean well,
Now go with me and with this holy manInto the chantry by. There, before himAnd underneath that consecrated roof,Plight me the full assurance of your faith,
I’ll follow this good man, and go with you;
And, having sworn truth, ever will be true.
Act 4 Scene 3
After him I love
More than I love these eyes, more than my life,More, by all mores, than e'er I shall love wife.If I do feign, you witnesses above,Punish my life for tainting of my love!
Cesario, my husband, stay here.
Oh, you little liar! How much worse will you be when you’re older? Maybe you’ll get so good at deceit that your tricks will destroy you. Goodbye, and take her. Just never set foot in any place where you and I might happen to meet.
Act 5 Scene 1
One face, one voice, one habit, and two persons!A natural perspective, that is and is not!
The count’s messenger, Cesario. We thought he was a coward, but he fights like a devil.
I am sorry, madam, I have hurt your kinsman,
But, had it been the brother of my blood,
I must have done no less with wit and safety.
You throw a strange regard upon me, and by that
I’m offering you my hand in marriage because of your loyal service to me, which was far from what any woman should be expected to do, especially a noble woman. You’ve called me “master” for so long. And now you’ll be your master’s mistress.
Madam, you have done me wrong,
Notorious wrong.
Alas, Malvolio, this is not my writing,
340Though, I confess, much like the character.
But out of question, ’tis Maria’s hand.
Act 5 Scene 1
Act 5 Scene 1